3WW CXCX

Dear Gentle Reader,

This week the 3WW writing community received these three words to ignite inspiration: drink, feeble, and predict.

I find these three words difficult, but, I proffer three haiku (OK, senryu), each with an American Sentence title.

So, without further ado... drink, feeble, and predict....

Drinking in her honey pot is better than in your cups, but, beware...

Drink in her curves, but

I predict her tequila

laced honey's feeble...

**A paraphrase of the title could be "If you are going to get drunk, make love not war, but, be careful..."

For English as a second-language readers, a honey pot can be an attractive woman, but, really, it is a synecdoche as the honey pot itself refers to the salty-sweet sexual centre of a woman.

To drink in a honey pot could mean to gaze at a beautiful woman. It could also be something more visceral, more graphic.

The second half of the title, being in your cups, refers to drunken fighting (from the Apocrypha, I Esdras 3:22 "And when they are in their cups, they forget their love both to friends and brethren, and a little after draw out swords:").

From there, after a title exhorting us to, when drinking, make love, not war, is a warning to be careful of the company that too much alcohol may bring...

Sneering command to the old to stand aside and die, ignored, forlorn.

Fade, senescent shade--

predict thine obsolescence;

drink feebly to death.

Leary never dreamed of chemical precogs, but fascists did, with glee.

Drink the future! Pre-

-dict, -pare, -judge, -kill. Keep: future

crime feeble; us safe!

**Timothy Leary (1920-1996) was a futurist and an American countercultural icon who is best known in the popular press for his advocacy of LSD (it was legal when he started his experiments in consciousness-raising with LSD) and for the phrase, that he popularized, "Tune in, turn on, drop out".

Though Dr. Leary was anti-establishment, the establishment took note and undertook its own tests on hallucinogenics to see how they could manipulate patients' understanding of reality.

This poem looks at the concept of a class of chemically-induced precognitives (precogs) and the use that they could be put to in search of pre-crime investigation, enforcement, and punishment.

Tschuess,

Chris

And... ...the music for today is...

Click to hear Jean-Pierre Rampal, on flute, and Lily Laskine, on harp, play 'Kojo No Tsuki' ('Moon over the ruined castle') from 'Sakura - Japanese Melodies for Flute and Harp'.

Amazon, to buy the same...

Tschuess,

Chris

To return to the Monday Poetry Train click here.

To return to 3WW click here.

Postscript about Haiku and American Sentences

First, technical definitions of the poetic forms I play with.

The English language version of the haiku is grammatically stricter (though semantically looser) than the original, Japanese form of this poetical form.

English Haiku are usually required to have three lines with 5 syllables on the first line, 7 syllables on the second line and 5 syllables on the final line.

The American Sentence is a poetical form structurally closer to the Japanese haiku format in some ways. It requires 17 syllables in one sentence and was created by the American poet Allen Ginsberg.

Yes, I know that there are content issues regarding what topics are permissible in Japanese haiku (Yes, I know that I write senryu, not haiku, subject-wise.) and that Japanese poets don't count syllables as they are generally understood in English.

I am not overly concerned.

If you are, I am sure I have discussed it sometime before. Check the haiku topic listing and have fun.

Chinese wages, fashion and factories

Dear Gentle Reader,

Last Friday I posted about the cost of going to a high-end, fashionable beauty parlour in rural China.

I wrote about how an hour and a half visit to a high-end beauty salon to get a full hair wash, cut and styling, blow dry, and an obligatory head and neck massage, all with the latest fashion styling trends costs a client the princely sum of 13 RMB (renminbi), also known as 13 yuan.

Which is approximately 1.47 euros.
Or 1.91 USD.
Or 1.98 CDN.
Or 2.03 CHF...

Which should help explain why Western factories have flocked to China over the last 30 years, and, simultaneously, why Chinese workers are, now, starting to strike.

I don't know exactly how hair salons are run in China, but, I assume that they are run similarly to how they are run in the West.

In the West, the salon owner builds the salon and markets the salon.

Stylists (barbers) then rent a chair from the salon; the rental price usually is half the price of services rendered by the hair stylist.

I suspect that the same system is in place in China.

If this is so, the hairstylist at the high-end beauty salon I profiled on Friday takes home half of that 13 yuan charged for each hour and a half (approximately) that the stylist spends on a client.

That amounts to 6.5 yuan.

Which is approximately 0.74 euros.
Or 0.96 USD.
Or 0.99 CDN.

Or 1.02 CHF...

Let us assume that the stylist gets ten paying clients, back to back, in a day.

That means that for 15 hours work the stylist would keep 65 yuan...

...approximately 7.35 EUR.

Or 9.55 USD.
Or 9.85 CDN.
Or 10.15 CHF...

(The rates for 1 1/2 hours, one client visit, were all rounded up.)

...Of course, clients are not lined up out the door for the most exclusive beauty salon in town...

...Stylists might spend the whole day at the salon...

...At least 15 hours...

...But, only one of the seats had a client getting a haircut when your humble scribe poked his head in; the other chairs were empty...

...So, these hair stylists were living on much, much less than 65 yuan for a day's work...

And, please remember that they have to buy all of their own supplies out of that gross amount.

Stylists need to supply their own scissors, hair dryers, shampoo that they use on clients, hair supplies, et cetera...

And, as this is a high-end boutique, the hair stylists have to look upmarket and buy fancier clothes so that their clientele know that they are truly visiting an upmarket salon...

This is why Western industrialists shifted production to China.

It costs less to live in China, if you live life according to average Chinese standards.

For comparison, the 2010 federal minimum wage in the U.S.A. is $5.15 USD/hour.

If our hairdresser worked for a salary in the USA, and received the federal minimum wage for that 15 hours work, then our hairdresser would make $77.25 USD for 15 hours work in a day, assuming no overtime pay.

Again, for comparison, our hypothetical Chinese hairdresser could make a maximum of $9.55 USD for that same 15 hours of back to back work on ten clients in China...

These 'cheap' 13 RMB haircuts are not actually cheap to Chinese workers; these haircuts are only cheap to foreigners who receive far more than the unobtainable $9.55 USD for 15 hours of work.

As workers do not make a lot of money, prices can remain depressed--including the price of labour in China.

But, the Chinese factory workers, who have been making the baubles and the necessary items for the wealthy West, have become more keen to be able to afford and possess these same baubles and necessities for themselves.

And, they have become jealous of the Chinese factory owners who have become rich off the sweat of their bodies.

And, Gentle Reader, this goes a long way to explaining why we are finally starting to read about strikes in Chinese factories.

Strikes have been going on for years, but were always kept controlled, and hidden--even during the Asian Economic Crisis (1997-1999).

But, worker discontent is so widespread that strikes cannot be hushed up anymore.

Besides, the existence of strikes (and their possible recurrence in the future) are useful for applying pressure on foreign companies during future negotiations regarding future investments... ...and regarding future technology transfer agreements for access to cheap labour...

...Especially if the state guarantees to keep workers more in line, in the future, as workers have been kept in check in the past...

Now, however, Chinese factory workers want and expect to receive more for their blood, sweat and tears.

Otherwise, those factory labourers will turn their backs on their foremen, and on their employers, and head back to their originating villages...

Which is happening now.

Which is why cheap labour is flooding into southern China from neighbouring countries in South-east Asia....

The bright side of the coin for the foreign firms who have invested in Chinese factories is that if they start paying factory workers more then that mythical Chinese market of over one billion consumers will finally start to become a reality... ...and the factories will be able to sell to Chinese, not just to overseas markets.

...So, the music for today is...

Click to hear Dumbfounded's remix of Aloe Blacc's 'I Need a Dollar'

This song is available from Dumbfounded's website, here...

Tschuess,

Sepiru Chris